Although I have seen this represented as an insert to Il Monello from 1974, I believe that it is from July 1975 (the pages that I have show no dates). If I find in the future that I am mistaken, I will correct this post accordingly. Since including this information in the Year in Review post for 1975 would make it extremely long, I decided to make a separate post for this interesting interview with Catherine.
The front cover of the insert is on the right, and the back cover is on the left.
The captions for the above pictures (as best as I can translate):
[left page, top left] Catherine Spaak (pictured with her
sister Agnes, father and mother),
was born in Paris on 3 April 1945 and began
her artistic activity in France,
where she made her debut very young, so much so that she was called a child prodigy.
[left page, bottom left] In this photo, along with Catherine, is Claudia Cardinale
in the film Certo certissimo, anzi...probabile. Spaak has found her place in
the Italian comedies in which she is especially
artistic and brilliant, but her background is a
little "bitter."
[left page, bottom right] Here is a nice picture from La notte e fatta per...rubare. Undoubtedly Catherine has always
sported (even in times when censorship was tough) a sexy image.
[left page, top right] However, it was here in Italy that Catherine gained international notoriety, thanks to films
like La voglia matta, in which she played alongside Ugo
Tognazzi. Undoubtedly she was one of our most
admired actresses of the 60s.
[right page] Spaak has
always alternated her activities more as an actress than a singer. Now,
however, and for
some time before returning to the set, she is content to interpret
songs alongside her
husband, Johnny Dorelli.
The caption for the above pictures (as best as I can translate):
"naturally" yours...
No, don't think evil thoughts: that of course means "following her nature." And
indeed, what else could we think when seeing these photos that show Spaak in nature, while stroking animals (which she likes very much)? If anyone
has other thoughts, we ask that they keep them to themselves!
The caption for the above pictures (as best as I can translate):
[left page, top right] In the family
tree of Spaak is a Belgian Prime Minister (father's brother) and also a
painter. Catherine also, occasionally, is delighted with this hobby. As
our photo shows, she prefers abstract painting. [Note from me: Since this appears to be a photo from Una ragazza piuttosto complicata, I'm not sure how much it really shows us about her painting hobby.]
[left page, bottom left and bottom center] In
these two photos you see Catherine as she performs (the fall was not staged) during a charity evening this year for the circus Moira Orfei.
However, despite the slip, Spaak skated well.
[left page, bottom right] Another hobby of beautiful Catherine is sports and skiing. Apparently, Dorelli does not ski as well and can never manage to keep up with her.
[right page, top right] With an orchestra behind her playing prestigious music while she recites
the words of the story of Peter and the Wolf. It was a big success for Spaak, and something different.
[right page, bottom three pictures] In these three photos we have tried
to summarize the love life of
Catherine, which has been quite eventful.
Fabrizio Capucci whom she
married and had a daughter by him,
Sabrina. Once her
marriage to Fabrizio was canceled
by the Sacred Rota, she tied the knot with
Johnny Dorelli, with
whom she has a son, Gabriel.
Below is a translation of the interview, keeping in mind that it is the best that I can do from a machine translation:
Catherine
Spaak, the former scandalous girl, the unscrupulous nymphet of La voglia matta, is today a serene woman, a mother, and wife. She can look back on it all now, without the aggressiveness and the distrust that she had a
few years ago.
Her life was a series of events, experiences from which she had to learn. At the age of
fifteen years, she was a symbol of rebellion and nonconformity, when the great
youth protest took its first steps. She was still a minor when she married young and gave
birth to a daughter, Sabrina (who is now 12 years old). Since then, there has been the
separation from her husband Fabrizio Capucci, the birth of baby Gabriel (4
years), and her marriage to Johnny Dorelli, all combined with her experience in film, television, and musical theater.
"Luckily my husband's play, the comedy 'Aggiungi un posto a tavola,' with which he has been busy until recently in Rome, allowed me to take care of the house, the
family, and my hobbies, since I did not have to follow him throughout Italy."
Once the play was ready for the road, Catherine and Johnny were
granted a short break before the tour of the play in the rest of Italy.
"I
thought I would take advantage of this holiday to schedule work projects, to consider
the different offers that I received,
but I ended up only worrying about rest and enjoying
this wonderful summer. There is always time for work."
Catherine, meanwhile, has been a regular guest of the radio show "Gran
varieta," where she participates in her amusing manner.
Catherine, years ago you played in the
controversial film La noia [The Boredom], do you ever get bored?
Thank goodness, no! Boredom is an
inevitable consequence of dissatisfaction, and today I feel like
a complete woman. At home, I am always busy with something. I always find something to do. Something that I like, that I'm
passionate about. I love reading. Sometimes
I do it to look for new ideas for the plays
of Giorgio (real name Johnny Dorelli, ed.), to
find ideas, or simply because reading relaxes and always
interests me. Part of my time is also spent playing guitar, singing, and composing
songs. Music has always
been part of my life, and I just cannot help it. I also have a
passion for painting.
Have you ever thought of having a show of the works of Catherine Spaak?
For heaven's sake! They are my things, paintings that I
do for my own pleasure, not to
subject them to the attention of the public and the judgment of critics. That would be serious.
Tell me about the
actress Catherine Spaak.
Oh God, what can I say? At ten years old I had
already decided to do this job. I could
not think of other professions.
I was attracted to the idea of being able to create characters that are always different, to be able to give to others and myself new
emotions continuously. I have shot many
movies, and I can
say I played many different roles. Today,
in the choice of a script, I am much more reflective. I'd rather give up a part,
if it does not really interest me.
And the theater?
I faced the theater to thirst for new
experiences. And it was
beautiful. Plus I had the good fortune to work alongside wonderful people like
Johnny Dorelli ...
The theater period was for a while. I closed it,
but, in the future,
I would not mind re-opening it. We will see.
Johnny Dorelli: what have you found in him?
Let's see ... intelligence, sensitivity, balance, enthusiasm, sense of humor,
unpredictability, sympathy ... I think that's
enough, right?
It may be
enough, I think. How did he win you? What tactics did he use?
Well, he made a show of intelligence, sensitivity, balance, enthusiasm, sense
of humor ... But maybe I'm repeating myself, right?
What did you do to attract him?
I hated him at first glance! I shot him down. He seemed to me
a guy too sure of himself, and too witty. Unbearable, in fact. During the TV recordings of La vedova allegra (Catherine played the widow beside Dorelli, after
the flat-rate Mina, ed), after meeting with Johnny, I looked upon him as torture.
Then, suddenly, I changed my mind. I began to realize that I spent the days
looking forward to going to work. I found myself always cheerful, ready to
joke, to laugh. And it was a feeling that I had forgotten for quite a while. Hate for his type began to transform to a little light of love.
Let's go back to the movies. What, in your opinion, is your best film?
By choosing a particular film, I would probably offend
someone. I have always been fond of the roles I've played. Each movie was a new
adventure, an exciting experience, beyond the success or failure of the film.
Is there a
partner, an ideal actor with whom you would like to make a film?
One existed. As a child, I identified with my Prince Charming, expecting him to
come and kidnap me on a magnificent white horse. It was Gerard Philipe. I
consider him one of the most fascinating actors of all time. Perhaps, with a
partner like that, I would not quibble too much about choosing a movie. I would accept it just to be that little girl at his side.
At the time of La voglia matta, Catherine Spaak was considered a well-off girl,
spoiled, capricious, ruthless, and a little snob. What happened to that girl?
Honestly, I never thought of myself that way! I arrived in Italy, from Paris,
without knowing a word of Italian, without knowing in the least the mentality
of this country. Unlike girls in Italy at the time, I believed in an independent
life, a fairly realistic conception of life for a fifteen year old, because of the type
of education received from my family. When I decided to come to Italy, I did it
just to prove to myself that I could stand on my own feet and get away from a challenging family life. In Paris, I had important friendships that could easily have help me in the business. My father was a well-known screenwriter, and also there was my uncle, the Prime Minister of Belgium. With all of those cards
in hand, I could have quietly gotten what I wanted. I preferred, instead, to challenge myself
and start from scratch, no pushing, no assistance. Using that air
of disenchantment, I began to get the roles of mischievous, rebellious girls. When you get stuck with a label, you know, it is hard to get rid of it.
Your character, however, excuse me, but it was not all milk and honey.
This is true. Life had taught me to be always on the alert, to never trust anything or anyone. My
marriage was wrong, there were the events that
followed, the gossip and the nastiness
of some people. That contributed a lot toward hardening my character.
Do you see yourself as nice
or unpleasant?
It depends on the circumstances!
Sometimes, I find things fun, enjoyable, even hilarious.
Other times, I find it hard to break the ice and unconsciously build a little barrier around myself. Here, in any case, niceness or nastiness is always exaggerated.
How do you feel about your appearance?
Alas, even with that it depends on the mood. Some days I don't like it, when there is no make-up
or a dress that doesn't fit. I feel horrible. Generally, however, I feel OK, passable.
Do you always tell the truth?
Yes, when possible, but I try to avoid unpleasant truths, those that can do harm.
What are the things that you deem essential
to your happiness?
The phones and planes! To be able to talk to my husband and join him when he is away!
Let's talk about Catherine Spaak in the role of mother.
That's my favorite part, the character that I most
care about. Gabriele is four years old, a beautiful age, where he can begin his
first serious dialogue, the first crazy questions, because of growing a lot. It's an age where parents play an important
role in the child's education, the
formation of his character, his
future. Sabrina is twelve years
old. She already has her own well-defined personality. Sometimes I realize that I treat
her like a child, without thinking that she has grown more mature and has her own way of thinking.
How are you with jealousy?
Very well, thank you. I find it hard
to be jealous, because I have Giorgio
constantly under control! Seriously, with our kind
of work, to be jealous would be a contradiction.
What
kind of husband is Johnny Dorelli?
He is very open and gives me an advantage: He does not consider the wife
as his maid or an
ornament of the house. We always evaluate every decision together. We advise each other and don't impose our will. We have a fifty-fifty partnership. They are the most
healthy and less
ambiguous, don't you think?
What do you miss, Catherine?
I still cannot fully comprehend being a serene
woman, completely satisfied.
Do you believe in happiness?
I prefer to believe in love, esteem, feelings, in serenity.
Those sensations are more
concrete and lasting. Trying to be happy,
in the long run, can lead to terribly confused ideas.
